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The
Consortium
The Concert Industry
Consortium was founded in 1994 with the objective of fostering
greater communication among the key professionals within the concert
business and also between the concert business and other elements
of the music business. The partnership itself comprises executives
from major booking agencies, concert promotion, facility management
and record companies.
The CIC seeks to facilitate the exchange of
ideas between key decision makers, enhance the flow of information
among professionals, and make a positive contribution toward enriching
the concert industry's health.
The concert industry landscape has changed
significantly since the inception of the consortium; the business
itself is constantly being redefined. Consolidation, new technology,
and global economics are bringing unprecedented challenges and
opportunities to our industry.These forces of change have made
the CIC more valuable.
Our ability to adapt to the new business climate
depends on our ability to brainstorm, address common concerns,
and share ideas that will brighten the future for all of us. The
CIC's goal is to help the concert industry not just survive, but
also to evolve and prosper.
The
Conference
In order to stimulate
constructive dialog between the various interests in our industry,
the CIC annual conference was established.
The first step in addressing any issue facing
the industry is to gather the key decision makers together in
one place for provocative discussion. These conferences have allowed
for a variety of viewpoints to be expressed, both from the panelists
and the participants in the audience. On this level alone, the
CIC conferences continue to be an overwhelming success.
Conference
History
Concert business history
was made in February 1995 when the first CIC conference brought
together an unprecedented number of major industry players in
Los Angeles to begin "Reinventing The Business." A year
later, CIC 2 sold out faster than the first despite a 50 percent
increase in capacity.
During CIC 3, a new topic, "Re-engineering
The Concert Business," opened up more visionary discussions
of the business's future, while the CIC 4 anticipated the huge
impact of industry consolidation. CIC 5.0, with theme "Countdown
To The Millennium," focused on how creative thinking and
new technology were impacting the concert industry.
CIC 2000 saw the conference move to the Bellagio
in Las Vegas and a renewed desire to accept change and adapt to
survive. This new, challenging era in our business began to take
shape and forward-thinking took center stage during "CIC
2001: A Concert Odyssey."
The 2002 conference, held at the Renaissance
Hollywood Hotel in Hollywood, CA, convened in the shadow of the
tragic events of September 11. Strong willed as ever, the CIC
determined that nothing would prevent us from meeting, hence the
tagline "The Show Must Go On."
Last year's conference returned to the Renaissance Hollywood Hotel.
Topics for panels and main sessions ranged from 2002 in Review
and Marketing questions to International Touring and Establishing
Club Level Talent. Highlights of the conference were the The If
I Were King, I Would... session and the Fireside Chat with Michael
Cohl and Donald Tarlton.
The 10th anniversary edition Concert
Industry Consortium will take place February 4-6, 2004.
The movers and shakers of the
industry will once again converge on the Renaissance Hollywood
Hotel in Hollywood, Calif., to continue the now-decade-long tradition
of brainstorming, networking and planning for the future.
Familiar faces, new connections,
the always-popular forums, and exciting new features like the
Career Center are going to make CIC 2004 another runaway success.
We invite you to join us in celebrating
10 years of exchanging ideas, voicing complaints and compliments,
and working toward a better concert experience for everyone.
In order to ensure the quality and intimacy of the conference,
the capacity has been strictly controlled. The past CIC conferences
illustrate the consortium's commitment to preserving the integrity
and continued success of the concert industry.
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CIC
Directors
Gary Bongiovanni
Pollstar
Gary Smith
Pollstar
Staff
Shari
Rice
Conference Director
Paul Fountaine
Exhibit Hall Manager
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CIC
Partners
Irving Azoff
Azoffmusic Management
Michael Belkin
CCE / Belkin Productions
Fred Bohlander
Monterey Peninsula Artists
Jack Boyle
JJJ Management
Tim Collins
Collins Management
Peter Conlon
CCE / Southern
Promotions
Alex Cooley,
CCE / Concert
Promotions
Bill Elson
Ascendit, Inc.
Michael Evans
SMG
Rick Franks
CCE / Cellar
Door of Michigan
Paul Goldman
Monterey Peninsula Artists
Harvey Goldsmith
Artiste Management Prod., Ltd.
Arny Granat
Jam Productions
Sid
Greenfeig
Musicentre Productions
Peter Grosslight
William Morris Agency
Alex Hodges
House of Blues Concerts
John Ingrassia
Columbia Records / Sony Music
Don Law
CCE / Don
Law Company
David Leiken
Double Tee Concerts
Rob Light
Creative Artists Agency
Ben Liss
David Ben Liss P.C.
Dave Lucas
CCE / Sunshine
Promotions
Larry Magid
CCE / Electric
Factory Concerts
Jim McNeil
United Concerts
Jerry Mickelson
Jam Productions
Bruce Moran
O.C.E.S.A. Presents
Brian Murphy
Clear Channel Entertainment
- Los Angeles
Joel Peresman
Radio City Entertainment
John Scher
Metropolitan Talent
Carl Scott
Gartzman, Simmons & Scott Entertainment
Lee
Smith
CCE / Bill Graham Presents
Jon Stoll
Fantasma Productions
Donald Tarlton
Donald K. Donald Group
Cynthia Wallace
North American Concert Promoters Assoc.
Dan Weiner
Monterey Peninsula Artists
Dan Zelisko
CCE / Evening
Star Productions
In
Memorium
Bob Kelley
Mid-South Concerts
David Williams
Cellar Door Concerts
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